Deslocamento I
(flute, 2 violins and piano)
CD 2 > track 1
Deslocamento I
In Deslocamento I have the feeling that this is my first piece, even though it is a studies work, since the core matters of my work are in it. Initially composed in four movements, from which only two were kept, the piece aims at an internal writing of the rubato, that is, at sculpting it. This overview on possible changes in our perception of speed in music is a basis for a work in rhetoric. How to remove the direction of the speech without losing its unity? This is the main question to compose Deslocamento, the fragment path in the speech and the search for abstraction in music are questions developed in later work.