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The title is about the paradox Tutti/Solo introduced in poetics since its beginning, but it is also about the fact that all the instruments are present continuously during the entire presentation. Tutti intends to explore situations where all the instruments play as solo and moments where the instrument is orchestrated as a tutti. The work offers an orchestral writing for a chamber group. Essentially, all the parameters used are in a constant flow, creating some time, timbre, harmony and texture elasticity.